I'm working my way through Best Visual Appeal right now, so let's start with my process there.
Because of time, I obviously can't watch all videos a reviewer has made, so I watch their most recent video. If I'm unfamiliar with their material, I will cue up a second video and scan through it to see if the visual style is consistent. If the second video has a different style than the first, I'll watch it as well. I'm looking for lighting, shot composition, the color scheme and the general aesthetics.
Shot composition:
- Are shots constructed with care or are they haphazard?
- Do they follow the rules of compositions?
- How effective are they at conveying the intended message?
- Is there consistent quality between shots, or do separate shots contrast with the overall tone?
- Is there attention paid to lighting?
- Is the lighting flat and lifeless, or does is there a style achieved with the lighting beyond 'make the subject visible'?
- Are there multiple shadows projected on the wall? (bad)
- Is there a backlight?
- Is there attention paid to create a distinct color pallet?
- Does it compliment the show's concept?
- How does everything work together?
- How does the editing impact the viewing experience?
- If there are effects, how effective are they? Are they distracting to the experience or do they add something?
- And yes, how do I feel when watching this? Seriously, something may break every composition rule and still pop visually.
Because of the visual nature of this category, I will actually take screenshots of certain shots for later reference.
I will take notes in point form for each nomination in a Word, and then I will put a 'Yes', 'No', or 'Maybe' in brackets beside the title based on whether I could see it a genuine contender for the top slot. 'Yes' and 'No' are obvious, even if reasons are on a case-by-case basis. 'Maybe' means that though I feel it's strong, this nomination has elements that bring it down. If I don't get four 'Yes' votes, I will be revisiting these nominations.
Thus far, I've only gotten one 'Yes'.
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